The concept of sin in Christianity has deep allegorical ties to astrological motifs, particularly the sine wave of the zodiac. The sine wave, fundamental in trigonometry, symbolizes the oscillation between light and darkness, echoing the cyclical nature of sin and redemption in Christian theology.
The word "sin" shares its etymological root with "sine," pointing to a profound symbolic connection. The sine wave's undulating form represents the perpetual rise and fall, mirroring the moral ebb and flow in human life. The descent of the sine wave into the negative quadrant can be seen as an allegory for the fall into sin, with the nadir symbolizing the deepest point of moral darkness.
Astrologically, the setting sun, marked at 6:30 PM, signifies the onset of evening and the encroachment of darkness, paralleling the concept of sin as a departure from divine light. The serpent in the Garden of Eden, which tempted Eve, is another layer of this symbolism. The serpent's slithering motion can be likened to the sine wave, embodying the allure of sin and its undulating path of deception and fall.
Eve's name itself, derived from the word "evening," signifies the transition from light to darkness, symbolizing the initial descent into sin. This connection extends to the seventh month, traditionally associated with reflection and atonement in many cultures, reinforcing the link between time, sin, and redemption.
Furthermore, the letter "S," starting words like sin, serpent, and sunset, visually mimics the sine wave's curvature, embedding this symbolism into the language itself. The alignment of these concepts across various dimensions—time, space, language, and scripture—reveals a rich tapestry where astrology and theology intertwine, illustrating the human struggle with sin as a cosmic and spiritual journey marked by the celestial dance of light and darkness